The hybridization of indigenous and European arts in the colonial Americas can best be viewed through the lens of religious art and architecture from the Viceroyalties of New Spain and Peru. The fusion of European and indigenous beliefs and aesthetics, and how these melded into a new style, can be viewed in architecture, retablos (altarpieces), oratorios (oratories), and paintings.…
Request ProgramPre-Columbian & American Indian Art
Mapas and Codices: Manuscripts in Ancient and Colonial Mexico
Writing has a long history in Mesoamerica from the early writing system of the Formative Period Olmec culture to the Aztec manuscripts of the early Colonial period. Less than 100 Mixtec and Aztec manuscripts are known from the pre-Hispanic and early Colonial periods that indicate the role of writing both before, during, and after the…
Request ProgramAncient American Empires: The Art of the Inka and Aztec
In the early sixteenth century, the Spanish conquistadors arrived in Mesoamerica and South America in search of wealth and fame. What they found, though, were the highly complex empires of the Mexica (now known as the Aztec) of Mesoamerica and the Inka of South America. Through their sensationalized writings, the Spanish left a legacy of…
Request ProgramTurquoise, Jade, Shell, and Feathers (oh my!): Materiality in the Ancient Americas
For Ancient American cultures, such as the Maya and the Inka, the materiality of the artwork held important significance. Materials like jade, turquoise, feathers, spondylus, gold, silver, and textiles were highly prized because of their association with life-giving forces, such as water, the sky, the sun, and the moon. Using examples from the VMFA’s collection,…
Request ProgramModern Art: Native American Style
Mid-century modern art is exemplified by an abstract aesthetic that emphasizes the materiality of the work. Numerous Native American artists, such as Kay Walkingstick, engaged with the rhetoric surrounding modern art but their self-identity as a Native American has overshadowed their contribution to modern art. This talk will examine the way mid-century Native American modern…
Request ProgramSex and Death in the Ancient Americas
Images of sex or death may be deemed immoral or inappropriate in current culture, however, ancient American cultures viewed these acts in a different manner. From the Aztecs of Mexico to the Moche of Peru, sex and death were the bookends of life with one representing conception and the other termination. Instead of being in…
Request ProgramLatin American Perspectives
From the ancient to the contemporary, discover the Latin American connection to artworks from VMFA’s collection. Learn how these works were influenced by artists’ perceptions of Central and South America’s social, political, economic, and cultural world, and how these same perspective are relevant today.
Request ProgramTravels with George Catlin
George Catlin recorded for posterity the appearances and customs of the Indian tribes of North America. Between 1830 and 1836, Catlin made five trips to the American West. From his visits to 58 tribes, he produced 485 paintings and collected over seven tons of artifacts. These he exhibited in the United States and Europe as Catlin’s Indian Gallery. Throughout his life, Catlin struggled to keep the collection whole and pursued its acquisition by the newly created Smithsonian Institution. This lecture looks at Catlin’s life from his travels through the American West to the end of his career when, facing bankruptcy, he traveled to South America and rekindled his interest in painting and the scientific recording of Native American life.
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