Brideship (Primary Title)
Musee des Beaux-Arts, Rennes, 1/17 - 3/31/2002; Musee des Bueax-Arts, Montipellier, 4/10 - 6/25/2002
"Made in U.S.A.: l'Art Américain, 1908-1947, Musée des Beaux-Arts, Bordeaux, Oct. 5 - Dec. 31, 2001; Musée des Beaux-Arts, Rennes, Jan. 17 - March 31, 2002; Musée des Beaux-Arts, Montpellier, April 10 - June 25, 2002
"Thomas Hart Benton: an American Original," Nelson-Atkins Museum of Art, Detroit Institute of Arts; Whitney Museum of American Art; Los Angeles County Museum of Art, 1989-1990
"An Enduring Legacy: Paintings Acquired through the J. Harwood and Louise B. Cochrane Fund for American Art," AAM's Museum magazine, Vol. 85, No. 1, color ill. p. 16.
Roy Proctor, "About Thomas Hart Benton and his magnificent murals," Richmond Times-Dispatch Sunday, December 27, 1998, p. G-5, b&w ill.
Wilma J. Burke, "Appraisers Corner: Paintings Created Scene During Great Depression," Richmond Times-Dispatch April 8, 2006, p. F2, color ill. p. F1.
Didactic panel for A Narrative of American Art exhibition at Terra Museum of American Art, Chicago, 2004.
Charles Eldredge et al, Tales from the Easel American Narrative Paintings from Southeastern Museums exhibition catalogue (Athens: University of Georgia Press, 2004) p. 81, color ill. no. 5.
Linda L. Sturz, Within Her Power Propertied Women in Colonial Virginia (New York: Routledge, 2002) ills. cover, pp. 19, 43, 71, 89, 111, 141.
Jacinto Lageira, "La Modernité Made in USA," L'oeil, November 2001, No. 531, p. 40, color ill.
Stéphan Grégan, "Made in USA Naissance d'une Nation," Beaux-Arts, February 2002, page unknown, ill.
La Griffe January 30-February 12, 2002, No. 118, page unknown, ill.
Made in USA L’art Américain, 1908-1947 exhibition catalogue (Paris: Editions de la Réunion des musées nationaux, 2001) color ill. p. 176.
R. Crosby Kemper, Jr., Fifty Years of Collecting Banking on Art (Kansas City, MO: R. Crosby Kemper, Jr., UMB Bank, 2000) color ill. p. 38.
Henry Adams, Thomas Hart Benton: An American Original, New York, Alfred A. Knopf, 1989, illus. in color, p. 131
Matthew Baigell, Thomas Hart Benton, New York, Abrams, 1975, pp. 41-56
Some object records are not complete and do not reflect VMFA's full and current knowledge. VMFA makes routine updates as records are reviewed and enhanced.