Landscape with Wing (Translation)
Landschaft mit Flugel (Primary Title)
“I work with symbols that link our consciousness with the past. The symbols create a kind of simultaneous continuity, and we recollect our origins.” —Anselm Kiefer
Kiefer’s paintings use historical and mythological themes to explore his country’s past, aligning him with the Neo-Expressionists—a group of artists, particularly some from Germany and Italy, active during the 1980s, whose works references culture and history.
Kiefer’s immense desolate landscapes, made from such unorthodox materials as tar and straw, allude to centuries of conflict and devastation on German soil. The large object dominating this canvas refers to the Icelandic myth of Wayland, a crippled and imprisoned metalsmith who escaped on wings he made himself. Although this version is made of lead, such wings often symbolize redemption in Kiefer’s art.
Mary Boone Gallery, New York, NY, 1982
Moore, Richard. “Is That Art?” Fine Art Connoisseur 8, no. 4 (August 2011): 55-57. (P. 55; 56).
Cullinan, Nicholas, et al. Cy Twombly and Nicolas Poussin: Arcadian Painters. London: Paul Holbertson Publishing, 2011. Exhibition catalogue. (P. 39; 42; no. 25, p/ 43; 44).
Slipek, Edwin. “Synopsis of an Artist.” Style Weekly, July 27, 2011. (P. 47).
Barriault, Anne B., and Kay M. Davidson. Selections from the Virginia Museum of Fine Arts. Richmond, VA: Virginia Museum of Fine Arts, 2007. (pp. 312-313, ill. p. 313)
Ravenal, John B. Modern and Contemporary Art at the Virginia Museum of Fine Arts. Richmond: Virginia Museum of Fine Arts, 2007. (Pp. 72-73).
Barriault, Anne. Selections: Virginia Museum of Fine Arts. Richmond: Virginia Museum of Fine Arts, 1997. (P. 114).
Brandt, Frederick R. "Twentieth-Century Visions." Antiques (August 1990). (P. 313).
Paoletti, John T. "Painting as Historical Dialogue: Contemporary German Art in the VMFA.” Arts in Virginia 29, nos. 2 & 3 (1990). (No. 3, pp. 38 – 39).
Brandt, Frederick R. Late 20th Century Art. Richmond: Virginia Museum of Fine Arts, 1985. (No. 58, p. 120-121).
Forgey, Benjamin. "Germany's Fractured Art." The Washington Post, July 2, 1984. (P. C4).
Stevens, Mark. “Germany’s Art of Trauma.” Newsweek, August 8, 1983: 58-59. (Pp. 58-59).
Hughes, Robert. “German Expressionism Lives.” Time, August 8, 1983: 66-67. (P. 66).
Degener, Patricia. “Strongly Expressed Responses to the Real World.” St. Louis Post Dispatch, July 3, 1983.
Some object records are not complete and do not reflect VMFA's full and current knowledge. VMFA makes routine updates as records are reviewed and enhanced.