Lotus and Laurel (Primary Title)
With its layered allusions to ancient Greece and Rome, as well as to Renaissance Italy, Prellwitz’s Lotus and Laurel debuted at the Louisiana Purchase Exposition, the 1904 world’s fair held in Saint Louis, Missouri. According to the painter, the scene represents a young man on the “road to Fortune” as he encounters “maidens of pleasure, whose symbol is the enticing lotus bloom. As he seems about to turn to the life of music, wine and love, Ambition, holding aloft the laurel wreath, recalls him.”
Prellwitz came to artistic maturity during a resurgence of interest in ancient myth, literature, and history. As increasing numbers of American artists and architects studied abroad in European academies, they were encouraged to look to antiquity and the High Renaissance for examples of timeless beauty and unity. In the full flush of the so-called American Renaissance, classical figures became widely popular in painting, sculpture, illustration, architectural ornamentation, and decorative arts.
"A New Glimpse of the Heyday of the Peconic Art Colony," New York Times, May 14, 1995, sec. 1, p. 29.
Mary Anne Goley, Henry and Edith Mitchill Prellwitz & the Peconic Art Colony (Washington, D.C.: Board of Governors ofthe Federal Reserve System, 1996), 8, 13.
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