1961
American
iron, steel
Overall: 60 × 50 in. (152.4 × 127 cm)
85.446
Not on view

“At the root of a good deal of my work is a certain empathy with forms that I see around me. The shapes of things, when looked at attentively, resemble . . . the postures, attitudes and personalities of people.” —Richard Stankiewicz

Though often associated with Abstract Expressionism for their freewheeling, gestural quality, Stankiewicz’s assemblages of discarded objects also reveal Neo-Dada characteristics, including the irreverence, playfulness, and embrace of the everyday world found in works by Robert Rauschenberg and Jasper Johns.

Stankiewicz took materials that, through decay and disrepair, had lost their original functions and gave them new life. While guided by formal concerns of balance and rhythm, Stankiewicz also welcomed allusions to human and animal forms, such as the open-mouthed profile visible in Untitled (Big C).

Gift of Sydney and Frances Lewis
Transformed Reality, Virginia Museum of Fine Arts, Richmond, VA, February 18 – May 16, 1993

Contemporary Art from the VMFA, Muscarelle Museum, College of William and Mary, Williamsburg, VA, September 30 – November 15, 1987.

Paintings and Sculpture from the 1960s: Selections from the Sydney and Frances Lewis Collection, Richmond Public Library, Main Branch, Richmond, VA, February 1978
(Zabriskie Gallery, New York) by 1977; Purchased by Mr. and Mrs. Sydney and Frances Lewis, Richmond, Virginia in April of 1977; Gift to Virginia Museum of Fine Arts (VMFA), Richmond, Virginia in December of 1985.
©artist or artist’s estate

Some object records are not complete and do not reflect VMFA's full and current knowledge. VMFA makes routine updates as records are reviewed and enhanced.